5 Ways Theon Cross Turns the Tuba Into a Lead Instrument

He plays melodic lines instead of bass accompaniment. Cross treats the tuba like a saxophone or trumpet, carrying the main tune rather than just holding down the low end.

He uses circular breathing to sustain long phrases. This technique lets him play continuous melodies without pausing for breath, keeping the tuba in the spotlight.

He incorporates jazz and improvisation. Cross draws from jazz traditions, using the tuba to solo and improvise in ways typically reserved for smaller horns.

He blends electronic effects with the acoustic sound. By adding pedals and amplification, he expands the tuba’s tonal range and makes it cut through a mix.

He composes music specifically for the tuba as a lead voice. His original works and arrangements are built around the tuba’s melodic potential, not its traditional supporting role.