5 Things to Know About Schubert’s Late Quartets

The String Quartet in D minor “Death and the Maiden” (D. 810) is one of Schubert’s most famous late works. It takes its nickname from the theme of his earlier song, which he uses as a set of variations in the second movement.

The String Quintet in C major (D. 956) is widely regarded as Schubert’s final chamber masterpiece. It adds an extra cello to the standard string quartet, creating a richer, darker sonority.

Both works were composed in the last two years of Schubert’s life, between 1824 and 1828. They reflect his mature, emotionally intense style, blending lyricism with dramatic tension.

“Death and the Maiden” is known for its driving rhythms and stark contrasts between terror and tenderness. The finale is a furious tarantella that leaves little room for relief.

The C major Quintet is more expansive and contemplative, with a famous slow movement in E major. Its use of two cellos allows for deep, resonant harmonies that feel both intimate and vast.