5 Reasons 32GB Is the Minimum for 4K Video Editing

16GB chokes on basic 4K timelines Opening a 4K timeline in Premiere or DaVinci Resolve with 16GB triggers disk swapping the moment you add effects, slowing everything down.

Simple cuts work, but not much else You can edit basic 4K clips on 16GB with no color grading or compositing, but “doable” is not “pleasant” — expect constant pauses and memory pressure.

32GB handles real workflows Multicam, stabilization, and color grading all demand more memory. 32GB lets you work without babysitting system performance.

Proxy workflows are the only exception If you always use proxies and never render in real time, 16GB might suffice. But most editors don’t want that hassle.

Future-proofing is worth the cost Buying 32GB now gives you headroom you will not regret. You never wish you had less RAM.