3 Things to Know About Arvo Pärt’s Tintinnabuli Method on Tabula Rasa

Tintinnabuli pairs a stepwise melody with a triadic second voice The method creates a bell-like harmonic simplicity by having one voice move stepwise while the other follows a triadic pattern.

This technique defines the sound of Tabula Rasa The album’s pieces are built on this bell-like clarity, giving them a distinctive, meditative quality.

The method is intentionally simple Pärt uses minimal notes to achieve a pure, resonant effect, avoiding complex harmonic structures.